Ebook Download Reading Chekhov: A Critical Journey, by Janet Malcolm

Ebook Download Reading Chekhov: A Critical Journey, by Janet Malcolm

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Reading Chekhov: A Critical Journey, by Janet Malcolm

Ebook Download Reading Chekhov: A Critical Journey, by Janet Malcolm

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From The New Yorker

The author's pilgrimage to Chekhov's Russia—Moscow, St. Petersburg, the gardens of his villa in Yalta—is a reunion with this most reticent of literary fathers. Malcolm analyzes the transformations that Chekhov grants his redeemable roués and guileless heroines, and illuminates the hidden surreality and waywardness of his realism. Copyright © 2005 The New Yorker

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Review

“One of the most gratifying things about Reading Chekhov is its quiet, vigorous defense of the prerogatives of criticism against the imperial banality of biography.” —The New York Times Book Review“[A] thoughtful and sensitive study . . . A great part of the charm and the skill of Janet Malcolm’s book lies in the very Chekhovian way she mingles personal with critical comment, taking us not only through Chekhov’s stories but through the removals and journeys of his life and her own travels in quest of his Russian haunts.” —The New York Review of Books“With the gentle inevitability of a balloon lofting skyward, the discourse effortlessly ascends from chatter to contemplation to genuinely brilliant critique. . . . With its balance of distilled perception and companionable spirit, Reading Chekhov embodies the same qualities it celebrates.” —San Francisco Chronicle

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Product details

Paperback: 224 pages

Publisher: Random House Trade Paperbacks (November 12, 2002)

Language: English

ISBN-10: 0375761063

ISBN-13: 978-0375761065

Product Dimensions:

5.2 x 0.5 x 8 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

17 customer reviews

Amazon Best Sellers Rank:

#804,065 in Books (See Top 100 in Books)

The book really helps one to understand Chekhov and the motivation behind some of the themes which appear and re-appear throughout his writings. This is not an easy task given Chekhov’s sometimes maddening ambiguity but Malcom does a great job throughout. It helps to have read some of the short stories she uses as examples but this is not critical. I read this book on the recommendation of a former English professor of mine and was delighted with what I learned.

Few readers have time to wrestle with the long biographies and academic treatises that proliferate on beloved writers. Lack of time trumps the best intentions. Janet Malcolm has saved Chekhov enthusiasts the trouble by doing the reading herself, adding her own insights, and throwing in a bit of travel writing as well.Literary criticism predominates in this 200-page book, with biography taking second place and travelogue third. Malcolm weaves the biographical details around comments about the stories and plays; so, for example, we learn that Chekhov was steeped in Russian Orthodoxy--more so, apparently, than even Tolstoy. What makes that especially interesting is the contrast between Chekhov's self-proclaimed nonbelief and the way he handles religious themes in the stories; there is some evidence, presented in this book, that these matters were not as settled in Chekhov's mind as one might think just based on his statements. (I, for one, have always been impressed with the sympathy Chekhov shows to the characters who appear in The Bishop, a story not discussed by Malcolm.)Malcolm also takes on in brief compass Chekhov's trip to Sakhalin (arduous to get there; led to a rather dull, non-Chekhovian book); his death at 44 from tuberculosis in a hotel in Germany (which had various eyewitnesses and led to a variety of embellished accounts); and his relationships with women (he liked them pretty and well-dressed), with his publisher, with Tolstoy, and with his parents and siblings.She spices it up with thought-provoking insights; one example: "In his stories and plays, Chekhov is afraid for all men. He was only in his twenties and thirties when he wrote most of them, but like other geniuses--especially those who die prematurely--he wrote as if he were old. Toward the end of Ward No. 6, he veers off--as he does in other dark and terrible works, such as Peasants and In the Ravine--to rejoice for all men in the beauty of the world."As for her travels, Malcolm visits St. Petersburg, Moscow, and Yalta, each city in the company of a different tour guide. Her observations, far from being unfairly critical, are subtle, sardonic, and on the mark--certainly anyone who has traveled to Russia will recognize her guides.As I wrote this, I changed the rating from four to five stars--I can't really think what would improve it. An index perhaps, since despite its brevity one would like to be able to search the contents more easily. And I would disagree with the book's jacket, which claims that those unfamiliar with Chekhov could enjoy this volume. At the very least, one should have read a volume of the major stories and be familiar with the plays. Among other works, she discusses The Lady with the Lapdog, The Steppe, The Kiss, The Schoolmistress, The Three Sisters, Uncle Vanya, The Cherry Orhard, and more.Confound it, however, you're never off the hook--the book whets your appetite for more, naturally! Those longer biographies and critical treatments beckon...and all the stories, perhaps in a different translation this time...been a while since I looked at the plays...well, good intentions count for something, right?

This book is just wonderful. Malcolm analyzes Chekhov's stories and plays and life with much astuteness. The quotations from Chekhov's writings which have been included highlight the points Malcolm makes -- and brings out the heart and genius of Chekhov.

I really enjoyed this book--the conceit and Malcolm's (Chekovian) perceptions about her travels.

I had high expectations for the book which were sorely disappointed. Malcolm frames her assessment of Chekhov’s work around almost random trips to visit Chekhoviana all across 1990s Russia and slight readings of the short stories and plays.Very little of deep or even shallow interpretations that would really help anyone to a more nuanced sense of the man and his work.It’s short—give it a try or skip it altogether.

This book is not an analysis of Chekov's writing or stories, so much as a leisurely travelogue through the Russian countryside where his stories unfolded. It is not a heavy work of scholarship, but provides a pleasant look at the ambiance of his stories, which should enhance one's enjoyment of them. It is worth the time.Fred

This was a fine book that came just how it was described. I will not hesitate one moment in the future to buy from this seller.The book arrived quicker than projected,and my mail is usually slow. It is clear that once the order was placed they made sure to quickly get it sent out.

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