Download PDF , by Michelle Dresbold
Download PDF , by Michelle Dresbold
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, by Michelle Dresbold
Download PDF , by Michelle Dresbold
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Product details
File Size: 19524 KB
Print Length: 306 pages
Publisher: Free Press; Reprint edition (February 12, 2007)
Publication Date: December 12, 2006
Sold by: Simon and Schuster Digital Sales Inc
Language: English
ASIN: B000RRDBBG
Text-to-Speech:
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Amazon Best Sellers Rank:
#203,296 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I have read many handwriting analysis books over the years and couldn't wait for this book. This lady knows her stuff! Be prepared though to see some creepy handwriting and discover the people who wrote it. She works for people who investigate crimes and looks at samples from, well, very creepy people! Don't read it before bed! Once you have a grasp of "normal" handwriting with all the neurotic and abnormal traits, venture into this advanced course in the really bizarre. You will find yourself checking out friends, relatives (especially relatives!), and even strangers handwriting. It's addicting!
This book was very engaging. For anybody who wants to understand people and has a special interest in criminals, this is definitely the book for you. I fit that description myself :DI bought the book out of a general interest in handwriting analysis and what it can tell about a person. After previewing samples of several different books, I chose this one. Why? It was entertaining. It seemed like a good book to take me into the world of handwriting, and it was. It wasn't a strict instruction book that I needed to try to understand every piece of it; instead, I was easily and happily able to read through and get a general feel for the subject. I didn't necessarily pick up techniques that I can use. But I understand now different things to consider in handwriting, and I feel it will be easier for me to learn when I pick up a more serious book.
Michelle Dresbold uses storytelling instead of charts to walk the reader into useful principles of handwriting analysis. She directs your eye to the essential details, then allows you to try your hand. Her book doesn't scream "I know the secrets and you don't!" It politely says, "Take my hand, and I'll show you what is important." I couldn't put it down. Absolutely recommended!
This book values style over substance. It makes for an entertaining read, but at the end of the day, not a particularly satisfying one. The author takes an anecdote-based approach to illustrating how different handwriting behaviours indicate certain personality characteristics. These anecdotes are all well told, and keep the book from becoming too dry. However, the downside is that you'll ultimately learn very little about graphology. I really would have liked to have seen more of an effort to prove the science behind it all.The formula is generally that you are given a writing behaviour (shown through good illustrations), provided with a rule for what the behabiour indicates, and then given an extreme example that demonstrates the point. But there is little effort to explain why the rules might make sense (many are extremely counter-intuitive, if not outright absurd), and no empirical evidence is cited to back them up. This becomes especially frustrating when, later in the book, the author ignores rules she had earlier set out with certainty. When a serial killer wrote a pointy "t", and dipped their "d" below the line, they were an agressive rule breaker with an affection for knives; but then when an average woman (writing a letter to the author) exhibited the same patterns, it meant that she was narrow-minded, and needed to move on. Her application and interpretation of the rules sometimes felt far too selective and convenient.As a closing note, I'd warn readers (males especially) that the author writes the book with a particular audience in mind: women looking to screen potential mates for violent behaviours. The most substantive section of the book is dedicated to this topic. From what I can tell, that is the target audience of the author's newspaper column, which figures prominantly in the book. It didn't ruin the book for me, as a 23 year old male, but it was annoying at times.
I bought this book because of the credentials and acumen behind the author - which are as high as credentials can get in the field of graphology and/or handwriting analysis. Her book is not marketed as a complete course - nor should anyone expect that. However, she does cover a lot of basis and any principles you do learn are SOLID and a result of many experts, (teachers) in her educational profile and not just theory of one or two self proclaimed experts (who are best avoided.)I say this because if you really want to enter the world of graphology and/or handwriting analysis, you need authors who have studied as a team player and from good sources to learn the right way. It is very hard to be any good if you learned from theories that were never streamlined or just interpretations concocted by an author. Unfortunately, some authors proclaim they have "the only book you will ever need," and this is so not true. This is a science and an on-going education. So, whether you are moderately interested in graphology and/or handwriting analysis, or want to be a master someday - this is a great book to have in your collection.When this author makes statements she usually explains "why" she came to that conclusion, which also helps you learn. So, she teaches horizontally, not vertically. Meaning the author speaks to you and not at you. She is also a great writer and keeps your attention throughout the entire book and not just parts.The amount of time she spent on each story really floored me. The author made sure she knew what she was talking about when it came to all the high profile cases and material, and she has more stats and real images pertaining to them, than I have seen in my own studies and writing. I attribute that to the fact her education is as "inside" as it can get. By that I mean her education in part by the government. Obviously they can use real evidence when teaching and have access to some evidentary items or theories not always available to the general public, (moi).Trying not to be a spoiler, she proved me wrong in my own book - regarding the Ramsey note - I felt the writer was foreign because the characters seemed written from right to left. It never occurred to me a person could just switch to their non-dominate hand and write away. Again, she had access to a lot more information than I ever did, and every time I was sure she was wrong - as I read on, she was correct and full of documentation to support her final conclusion on every item.If you want a real page turner where you also learn as you go - her book is a great one ! Just remember one tendency may be cancelled out by another tendency, most evaluations should be done as a "whole" and with several samples, so be very well educated before you start figuring someone is Satan incarnate or a real Mother Theresa.
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